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Chick Webb
(1909 - 1939)

Chick Webb represented the triumph of the human spirit in jazz and life. Hunchbacked, small in
stature, almost a dwarf with a large face and broad shoulders, Webb fought off congenital
tuberculosis of the spine in order to become one of the most competitive drummers and
bandleaders of the big band era. Perched high upon a platform, he used custom-made pedals,
goose-neck cymbal holders, a 28-inch bass drum and a wide variety of other percussion
instruments to create thundering solos of a complexity and energy that paved the way for
Buddy Rich (who studied Webb intensely) and Louie Bellson.

Alas, Webb did not get a fair shake on records; Decca's primitive recording techniques could
not adequately capture his spectacular technique and wide dynamic range. He could not read
music, but that didn't stop him either, for he memorized each arrangement flawlessly. Although
his band did not become as influential and revered in the long run as some of its contemp-
oraries, it nevertheless was feared in its time for its battles of the bands in Harlem's Savoy
Ballroom; a famous encounter with the high-flying Benny Goodman outfit at its peak (with
Gene Krupa in the drummer's chair) left the latter band drained and defeated.

William Henry Webb bought his first set of drums with his earnings as a newsboy, and he
began playing in bands on pleasure boats. After moving to New York in 1925, he led bands in
various clubs before settling in for long regular runs at the Savoy beginning in 1931. Although
Benny Carter and Johnny Hodges played with the band early on, the Webb band was oddly
short on major soloists during its heyday from the mid-'30s onward; the young alto sax player
Louis Jordan made the biggest impression after leaving the band. But the band made up for it
with a crisp ensemble sound, Webb's disciplined, ferociously driving drum pyrotechnics,
trumpeter Taft Jordan's impressions of Louis Armstrong, and most of all, a series of strong
compositions and charts by Edgar Sampson ("Blue Lou" and "Stomping at the Savoy" among

In 1935, Webb hired the teenaged Ella Fitzgerald after she won a talent contest at the Apollo
Theatre, became her legal guardian, and rebuilt his show around the singer, who provided him
with his biggest hit record, "A Tisket-A-Tasket," in 1938. The band's fame continued to grow,
fueled by its reputation as a giant-killer in the Savoy battles and a continuous string of Decca
78s that featured such irresistible numbers as "T'aint What You Do (It's the Way That You Do
It)" and the B-side of "Tasket," "Liza." But Webb's precarious health began to give way, and
after a major operation in Johns Hopkins Hospital in Baltimore, he died (his last words
reportedly were, "I'm sorry, I've got to go."). After Webb's death, Fitzgerald fronted the band
until it finally broke up in 1942.
Source: Richard S. Ginell; All Music Guide

Chick Webb and Ella Fitzgerald

Chick Webb - Artie Shaw - Duke Ellington

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Pearl 12 Inch Maple Effects Snare Drum

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Pearl 12 Inch Steel Fire Cracker Snare Drum
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